Películas Accesibles

Database

Database SL AFM Ambas

SL: Audiovisual works that feature sign language, either as the main language or as a secondary language.
AFM: Audiovisual works created with a broad concept of accessible filmmaking—in other words, audiovisual works in which media translation and accessibility are taken into account early on in the production process and, therefore, accessibility and translation are two integrated audiovisual elements and not afterthoughts—.

Basic information

Title

Type

Length (minutes)

Genre

Year (multi-select)

Country of production

Producers or production company

Director

Written by

Accessible filmmaking

Accessibility consultant Yes No

Representation of disability

Crew member with disability Yes No

Topic: disability Yes No

Modalidad de traducción audiovisual

Is the translation/accessibility official, experimental or non-official? Official Experimental Non-official

Audiovisual Translation Mode

The audiovisual translation mode(s) used in the AV work can be the following:

eSLT (oral-SL): non-integrated translation, from an oral language into a sign language
eSLLT (oral-SL): non-integrated live translation, from an oral language into a sign language
eSLI (oral-SL): non-integrated interpreting, from an oral language into a sign language
dSLT (SL-oral-SL): integrated translation, from an oral language into a sign language and vice versa
dSLLT (SL-oral-SL): integrated live translation, from an oral language into a sign language and vice versa
dSLI (SL-oral-SL): integrated interpreting, from an oral language into a sign language and vice versa
eSLT (SL-SL): non-integrated translation, from a sign language into another sign language
eSLLT (SL-SL): non-integrated live translation, from a sign language into another sign language
Revoicing (SL-oral): translation from a sign language into an oral language (narration, voice-over...)
Captioning (SL-written): translation from a sign language into an oral language in written mode (SDH, CC, creative subtitles...)
No translation: there is no translation, whatsoever
AD: standard audio description
Creative AD: AD that does not follow current guidelines or which is integrated in the production
Creative subtitles: non-standard subtitles, visually different due to its use of font-types, colours, positioning or other visual effects for their presentation on screen
Multi-language subtitles: subtitles in more than one language are displayed simultaneously.
Partial subtitles: use of subtitles when a foreign language is spoken in the AV work.
SDH: standard subtitles for the d/Deaf and hard of hearing.
Self-translation: a character in a film translates for another character(s).
SL: sign-language interpreting or integrated sign language performances.
Subtitles: standard subtitles for the whole production
Voice over: actor voices are recorded over the original audio track, which can be heard in the background.
Script translation: translation of the written script

Captions by

Audio Description By

Sign language translation/interpreting by

Translation for Voice Over By

Language:

Sign Language (SL) (multi-select)

Main languages (L1) (multi-select)

Languages of transaltion (L2) (multi-select)

Secondary languages (L3) (multi-select)

Stages and role of the sign languages

Stage of implementation of SL

Post-production

Pre-production

Distribution

The moment in which the sign language was thought of and implemented. It can be:

Pre-production: the sign language was thought of from pre-production. This is the case when the sign language is the main language (L1) or a secondary language (L3) of the production
Post-production: the sign language was thought of in post-production. This is the case in some productions that include a sign language as a translation language (L2)
Distribution (or afterwards): the sign language was included in the distribution phase, or after this, as an accessibility measure. This is the case in some productions that include a sign language as a translation language (L2)

Role of SL L1 L2 L3

Linguistic function of the sign language. It can be:

L1: is one of the main languages of the production (source language)
L2: is a language into which the production is translated or interpreted (target language)
L3: is a secondary language of the production

Realism Authentic Non-authentic

The realism of sign language interpreting. It can be:

Authentic: an actual sign language translator/interpreter is used when interpreting/translating
Non-authentic: a person (usually an actor or actress) pretends to be a translator/interpreter in the AV work

Interpreter/Translator Professional Natural

It is related to the role that the interpreter/translator has within the film. It can be:

Professional: the translator/interpreter portrays the role of a professional translator/interpreter
Natural: the translator/interpreter portrays a natural role in film (friend or relative of the signer, for instance), but they interpret/translate in the film

Source of message Transduction Self-translation

It is related to the source of the message that is translated/interpreted. It can be:

Transduction: the translator/interpreter translates the message of another person
Self-translation: the translator/interpreter translates their own message

Communicative intention Intrapersonal Interpersonal

It is related to the communicative intention of the translation/interpreting, it can be:

Intrapersonal: the translator/interpreter translates to clarify their own message, not addressed to another person in the film
Interpersonal: the translator/interpreter translates to enable the communication with another person

Type of translation / interpreting

It is related to the timing in which the translation/interpreting takes place regarding the original message:

Simultaneous: the original message and the translation/interpreting happen at the same time
Liason: the original message and the translation/interpreting alternate
Consecutive: the translation/interpreting occurs after the original message
Simultaneous synchronised: the original message and the translation/interpreting occur at the same time because the translation has been synchronised to the original video

Creative use of sign languages

Internal Yes No

It refers to the creative possibilities of sign languages to enable an artistic communication. For this purpose, there is a creative use of sublexical items (manual configuration, movement, etc.) and the structure of the sign language could be altered.

Collaborative Yes No

It refers to an artistic collaboration between signers and non-signers or between the people in charge of the signing in the production and other members of it (who could be signers or not).

External Yes No

It refers to the artistic use of external resources (lighting, outfits, make-up, editing of the video...) that are not linked directly to the sign language, but that contribute to the creativity of the message.

accessiblefilmmaking

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